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HERBERT KUHNER Romancier, Lyriker, Dramatiker und Übersetzer ist 1935 in Wien in geboren. Er emigrierte 1939 in die Vereinigten Staaten und studierte an der Lawrenceville School und Columbia University. Nach Wien kehrte er 1963 zurück, wo er als ein freier Schriftsteller und Übersetzer lebt.

Die Wiener Zeit

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Remigration

Another topic I have “touched upon” is “remigration.” This word is a neologism, which means coming back to where you have been driven out.I've always said that I wanted a smooth ride, but I couldn't help rocking the boat. Rocking seems to be in my genes.

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Remarkable People

On the road I have traveled, I have met many remarkable people. First I name my friend and mentor the late Emile Capouya. “Mike” encouraged me over the years and published two of my books in New York.

Herbert Kuhner

grew up in the United States, associating with the New York City jazz and coffee scene in the 1950s. ". . I've always said that I wanted to have smooth sailing, but I couldn't help rocking the boat. Rocking seems to be in my genes". As a subtitle I’ve chosen “Stepping out of line,” which is a movement my feet can’t seem to avoid making.

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Vienna Today

Returning to my birthplace has given me a unique opportunity of writing on Third Reich Revisionism. This topic interlinks with Violence under the Guise of Art like pieces of a puzzle to reveal how the past manifests itself in the present.

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James Carville and Mary Matalin at Home

Herbert Kuhner

James Carville is as Liberal as they come. Mary Matalin is Conservative from the get-go.
They have a happy marriage.

Carville on Sarah Palin, former Mayor of Wasilla, Alaska:
“I mean she was touted experience as mayor of this town in Alaska.
This is a picture of the city hall. It looks like a bait shop in South Louisiana.”
(That’s how James describes the darling of the Right.)

Matalin on Rush Limbaugh: “I don’t just respect Rush. I revere Rush.”
That’s how Mary gushes over Rush the icon of the Right.
Rush in action: “Linda Trip - What a beautiful heroine!!!
Who is a better role model ‘for the children’ of America?…
I’m telling my sons to imitate her.”
(Tripp hid a mike when Monica confided in her
and passed the recording on
to the Republican adulterers trying to bring Bill down.)

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Imprinted Skin – En Vogue

  •  Movie Star

She had her
hairline raised,
crow’s feet erased,
cheeks botexed,
nose bobbed,
mouth reshaped,
teeth capped,
double-chin removed,
breasts built up,
waist narrowed,
stomach flattened,
buttocks lifted,
thighs thinned out,
and for good measure,
the corns excised from her toes
but she can’t be filmed in the nude,
not due to modesty,
but because
she’s covered with tattoos.
This is not a new poem. The last phrase shows how a poem can become dated.
Tattoos are no longer an obstacle for nudity - or anything else -
and tattooed Hollywood nudes have become ubiquitous.
Imprinted skin is now en vogue.

  •  A Uniform for Nudity

You can be nude and yet in uniform. The uniform you can wear consists of tattoos, piercings - and even brandings. The skin functions as a canvass emblazoned with emblems that delineate a craving for pain but also signal that the body is an instrument of pleasure. Is this a paradox? Not really! Pain and pleasure have always been Siamese twins. The combination is as natural as nudity.

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OR CHADASCH

 

Jüdisches Theater Austria

Inge Maux
Stephanie Fürstenberg
Florentin Groll
Regie: Warren Rosenzweig

Alter Brody
Wehklagen
Vier Einakter
Übersetzt von Ilse Zelenka

*  *  *

A-1020 Wien, Robertgasse 2
14. November 2010
19 Uhr

* * *

Hier ist zum ersten Mal der Jude selbst - nicht eine durch von Konflikten bewölkten, die dem wirklichen Juden fremd sind, nostalgischen Verstand gesehene sentimental dargestellte Interpretation von ihm; nicht novelized Essays auf Angleichung; Zionismus, das Judentum, der Auftrag von Israel. usw. - , aber einfache tägliche Juden, viel zu zutiefst Jüdisches, um dessen bewusst zu sein …Hier sind Juden, die für sich sprechen, ohne aufzufordern - manchmal brutal, manchmal wunderbar.
- Lewis Mumford

Die Sprache der Charaktere in den Stücken ist einfach und doch poetisch. Wie in seiner Dichtung, ist Brodys Liebe und Mitgefühl für seine Mitmenschen allgegenwärtig. Alter Brody, der ungläubige Jude, zeigt immer wieder seine Verbundenheit mit dem Judentum. Wie der Maler Edward Hopper, zeigt er uns die Schönheit die in schäbigen Gassen zu finden ist.
- Herbert Kuhner

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Barbarism is Alive and Well

Herbert Kuhner

A woman condemned to death by stoning has received 99 lashes in Iran. Her “crime” was an alleged “adultery” The whipping was administered due to the fact that a photo of her was published internationally.

The stoning is carried out in the most painful manner imaginable. The woman is buried to the waist. The stones are aimed at the face. Medium-sized stones are selected in order to prolong the procedure.

Only the advent of death can put an end to the victim’s suffering. Death is the most merciful aspect of this savage act.

These perpetrators know no shame. Their pretext is religious law.

Men, as, well as women can be theoretically stoned, but it is always seems to be women who men choose to undergo such agony.

All religions seem to have it in for females.

I ask: hasn’t religion failed as a moral force?

Barbarism did not die with Adolf Hitler on April 30th of 1945. It lives on and on and on.

Sometimes I am ashamed to be a member of the human race.

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VALIE EXPORT in Belvedere

  • October 16, 2010 - January 30, 2011
  • Agnes Husslein-Arco, Direktorin des Belvedere Curator: Angelika Nollert
  • English - Deutsch
  • Herbert Kuhner: From Violence under the Guise of Art or Third Reich Recycling

In 1977 Valie Export was brought to trial for having engaged in cruelty to animals and found guilty of having tied a canary to a perch. However the scalding of the birds with boiling wax, which had been filmed, came under the statute of limitations. This “art object” was on view as part of the Export Exhibition in the Museum of the Twentieth Century in Vienna in March of 1997. On March 17, 1997, in Treffpunkt Kultur, a program devoted to culture on ORF, Austrian State TV, films by Export were broadcast. In one scene Export uses a bloody kitchen knife to slice the neck of a turtle, a mouse and a parrot, but the actual decapitations are deleted by film cutting.Valie Export “herself”: “A bird is tied to a rostrum with thin cord. I kneel in front of the bird on the rostrum and pour hot liquid wax on it. Then I pour wax on my feet and my left hand; the wax container is knocked over and the bird’s head is covered with wax. I free myself by cutting the cord with a knife which I lifted from the rostrum with my mouth and use it. The rostrum is encircled by nails.”

Here’s an except from an article in News, August, 30, 2007 titled
“Yes, we wanted to kill!”
Three Styrian youths planned to murder a woman. They wanted to hear death cries, so they set bird chicks on fire. Nineteen-year-old Karlheinz recalls that Daniel told him how “terrific” it is to kill animals. “We got right down to it.” says Daniel, “I took a cigarette lighter and tried to set the animals alight, but they didn’t burn very well. So I went to a garbage bin and took some newspaper.” The fifteen-year-old placed it under the nest and set it alight. “There was a small firework. Three chicks burned to ash, but two were still alive. “We tossed one up and kicked it with our feet. We took the other and placed it on the sidewalk.” Then Daniel and Karlheinz took sharp stones and alternated in hitting the bird until its head was severed. “After that, we took photos of the dead bird with our cell phones.
- Martina Prewein: “Am Tatort”, News, No. 35, Aug. 30, 2007, p. 62-65.

During the Third Reich children were taught to kill birds
in a camp called Kinderland,
which translates as “Children’s Land.”
- Hitlers Kinder (Hitler’s Children),
Documentation Series, No. 4, Arte TV, March 1, 2000

After Valie Export was invited to submit a design for the monument on Judenplatz some years ago, she had thoughts about the Holocaust. “Not directly or for a specific reason, as happened when I was invited to participate in the competition.” She didn’t win that one, but on August 28, 1999, her anti-fascistic monument in Allentsteig, Lower Austria, was unveiled. She may be able to contribute a valid analysis since violence plays a primary role in her work.

In the spring of 1995, an official Austrian exhibit commemorating prominent Austrians who were forced to emigrate was shown at 565 Fifth Avenue in New York. The organizer of the exhibit and co-editor of the accompanying book, The Cultural Exodus from Vienna is Peter Weibel, who is also co-editor of the previously-mentioned Wien. Among the highlights of the latter scholarly work are photos of co-editor Export engaging in fellatio with Weibel. Here’s a quote from the horse’s mouth: “When Valie Export is sucking my cock, one can see it.”

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The Invasion of Iraq

Herbert Kuhner

In the Second Iraq War, by invading Iraq,
The United States unleashed a conflict
between the Sunnis and Shiites,
and removed the buffer to Iran,
making Iran the major power in the Mid-East,
and causing Israel to be more vulnerable,
not to mention the mountains of dead and wounded!
(Thanks to George, Dick  and Tony)

But as we know they meant well!

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The Vietnam War

Herbert Kuhner

In order to prevent the Asian dominos from falling,
the United States entered the Vietnamese Civil War
on the South Vietnamese side.

The result was the uniting of traditional enemies
against the United States.

By the incursion into Cambodia, the United States
triggered off the Khmer Rouge carnage,
adding to mountains of dead and wounded.
(Thanks Dick and Henry!)

But as we know they meant well!

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