From Violence Under the Guise of Art
or Third Reich Recycling.
In 1977 Valie Export was brought to trial for having engaged in cruelty to animals and found guilty of having tied a canary to a perch. However the scalding of the birds with boiling wax, which had been filmed, came under the statute of limitations. (1) This “art object” was on view as part of the Export Exhibition in the Museum of the Twentieth Century in Vienna in March of 1997. On March 17, 1997, in Treffpunkt Kultur, a program devoted to culture on ORF, Austrian State TV, films by Export were broadcast. In one scene Export uses a bloody kitchen knife to slice the neck of a turtle, a mouse and a parrot, but the actual decapitations are deleted by film cutting.(2)
Valie Export “herself”: “A bird is tied to a rostrum with thin cord. I kneel in front of the bird on the rostrum and pour hot liquid wax on it. Then I pour wax on my feet and my left hand; the wax container is knocked over and the bird’s head is covered with wax. I free myself by cutting the cord with a knife which I lifted from the rostrum with my mouth and use it. The rostrum is encircled by nails.” (3)
After Export was invited to submit a design for the monument on Judenplatz some years ago, she had thoughts about the Holocaust. “Not directly or for a specific reason, as happened when I was invited to participate in the competition.” She didn’t win that one, but on August 28, 1999, her anti-fascistic monument in Allentsteig, Lower Austria, was unveiled. She may be able to contribute a valid analysis since violence plays a primary role in her work.
In the spring of 1995, an official Austrian exhibit commemorating prominent Austrians who were forced to emigrate was shown at 565 Fifth Avenue in New York. The organizer of the exhibit and co-editor of the accompanying book, The Cultural Exodus from Vienna (5) is Peter Weibel, who is also co-editor of the previously-mentioned Wien. Among the highlights of the latter scholarly work are photos of co-editor Export engaging in fellatio with Weibel. Here’s a quote from the horse’s mouth: “When Valie Export is sucking my cock, one can see it.”(6)
Also featured in this volume is the depiction of an event in Cologne organized by Weibel and Export in which bullwhips, coils of barbed wire, beer bottles and ether were used to injure actionists and members of the audience. (7) One of the most revolting aspects of the book is the juxtaposing of documentary photos of murdered children with photos of Hermann Nitsch actions with innards. (8) Thus, infanticide too is part of Show Biz. Nitsch: “Killing was and is beyond all moral judgments.”(9)
During the Third Reich children were taught to kill birds
with their hands in a camp called Kinderland,
which translates as “Children’s Land.”(10)
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